Meaning: 'Subject' refers to the main idea or theme being discussed or represented, in this case, the content of the films.

Wrong options:

• topic: 'Topic' is a synonym for subject but is less formal and does not fit as well in the context of artistic discussion.
• content: 'Content' refers to the material contained within the film but does not specifically denote the thematic focus as 'subject' does.
• theme: 'Theme' implies a deeper underlying message or moral, which is not what Hitchcock was concerned with in this context.

Correct answer: indeed

Explanation: The word 'indeed' serves as an affirmative marker that emphasizes the statement preceding it, fitting well in the context of Hitchcock's priorities in filmmaking. It connects the two clauses effectively.

Meaning: 'Indeed' means 'in fact' or 'certainly,' reinforcing the assertion about Hitchcock's focus on technical aspects.

Wrong options:

• whether: 'Whether' introduces a conditional clause, which does not align with the affirmative nature of the preceding statement.
• instead: 'Instead' suggests a contrast that is not present in the context, making it grammatically and contextually inappropriate.
• rather: 'Rather' implies a preference or choice, which does not fit the context of emphasizing Hitchcock's focus.

Correct answer: stirred

Explanation: The verb 'stirred' fits grammatically as it describes an action that evokes a response from the audience, aligning with the context of emotional engagement in film.

Meaning: 'Stirred' means to provoke or incite a strong emotional reaction, which is what Hitchcock aimed to achieve.

Wrong options:

• riled: 'Riled' implies annoyance or agitation, which does not accurately reflect the intended emotional response from the audience.
• raised: 'Raised' is typically used in contexts of elevation or increase, which does not apply to emotional engagement in this context.
• sparked: 'Sparked' suggests a sudden or brief reaction, which does not convey the depth of emotional engagement that 'stirred' implies.

Correct answer: irrespective

Explanation: The word 'irrespective' fits grammatically as it indicates a disregard for cultural background, aligning with the context of universal emotional responses to film.

Meaning: 'Irrespective' means 'without consideration for' or 'regardless of,' emphasizing that cultural background does not affect emotional reactions.

Wrong options:

• unremarked: 'Unremarked' suggests something that has not been noted or commented on, which does not fit the context of emotional engagement.
• unrelated: 'Unrelated' implies a lack of connection, which contradicts the idea that film can evoke emotions across cultures.
• irrelevant: 'Irrelevant' suggests something that is not applicable, which does not accurately capture the intended meaning of disregarding cultural differences.

Correct answer: impact

Explanation: The noun 'impact' fits grammatically as it refers to the effect or influence of the film on the audience, aligning with the context of emotional engagement.

Meaning: 'Impact' refers to the strong effect or influence that something has, in this case, the emotional response elicited by the film.

Wrong options:

• involvement: 'Involvement' refers to participation or engagement, which does not specifically denote the emotional effect intended in this context.
• feedback: 'Feedback' implies a response or reaction, typically in a communicative context, which does not fit the emotional focus of the sentence.
• response: 'Response' is a general term for any reaction, but 'impact' conveys a stronger, more significant emotional effect.

Correct answer: sights

Explanation: The word 'sights' fits grammatically as it refers to visual elements that Hitchcock aimed to create, aligning with the context of film aesthetics and beauty.

Meaning: 'Sights' refers to visual images or scenes, particularly those that are striking or beautiful in the context of film.

Wrong options:

• veiws: 'Veiws' is a misspelling of 'views' and does not fit grammatically or contextually.
• targets: 'Targets' implies a goal or aim, which does not align with the artistic focus on visual beauty in filmmaking.
• aims: 'Aims' suggests intentions or objectives, which does not capture the visual aspect that 'sights' conveys.