And sometimes as here portray images that are sufficiently similar to make the differences between them that much more strange and striking. By staggering and repeating, her images interfere with linear narrative structure, implying among other things, that climate change progresses slowly, repetitively, dully. And sometimes out of sight and images like these also make for weird transpositions. Forget about terrestrial knowledge going to see. This is the ocean coming to land. This may be is a collection of seascapes. And by reintroducing her viewer in the course of Tuvalu to the sort of image that some audiences might anticipate from a Pacific seascape like the one at left. Here, tea returns to a conventional image, but only after scrambling its context and while asserting Tuvaluan lives, making it difficult ever to apprehend such a shot without acknowledging those contacts and hailing those persons. By recognising the ocean as made of tangled relations among social, cultural, colonial and ecological stories and histories. As well as past presents and futures to value complicates our views. TT's work empowers its viewer with a heightened sensibility one worth carrying to all oceanic prospects. Like this remarkable one, also from Abdul Aziz.