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Practice Reading: Re-order Paragraphs ID: #3859 Medium
Instructions ›
The text boxes in the left panel have been placed in a random order Restore the original order by dragging the text boxes from the left panel to the right panel.
* Move & order all paragraphs in the right field

Paragraph list

Photography, from its appearance in 1839, looked to painting for fundamental models of depiction.
How these two media leapfrogged through the Victorian age, defining themselves against one another, is the subject of Tate Britain’s curious, jumbled new exhibition Painting with Light.
Dependence, rivalry, envy, emulation: painting and photography, like members of a dysfunctional yet in¬separable family, just cannot cast off lineages of influence and appropriation.
Yet it threw the older medium into crisis, removing at a stroke painting’s unique capacity to bear witness.

Your order

Result:

AI explanationShows the answer. Tap to open.

First sentence: Why this is the first line? This paragraph is the first line because it introduces the main ideas of dependence and rivalry between painting and photography. It gives a broad overview of their relationship without going into specific details. This follows the rule of Topic Sentence. Why other lines are not chosen? The other paragraphs are not chosen because they do not stand alone. For example, Paragraph 2 starts with 'Photography,' which needs context from the first sentence. Paragraph 3 starts with 'Yet,' which shows it is continuing a thought. Paragraph 4 starts with 'How,' which also needs prior information to make sense.

Concluding sentence: Why this is the last line? This paragraph is the last line because it wraps up the discussion about painting and photography. It introduces the exhibition that explores their relationship, which follows the Summary Style rule. It brings together the earlier points about their rivalry and influence.

Paragraph pairs:

  • Pair 1 (Paragraph 1 → Paragraph 2): Paragraph 2 connects to Paragraph 1 because it continues the idea of photography's relationship with painting. This follows the Logical Order rule, as it explains how photography looked to painting after discussing their rivalry.
  • Pair 2 (Paragraph 2 → Paragraph 3): Paragraph 3 connects to Paragraph 2 because it shows the effect of photography on painting. The word 'Yet' indicates a contrast, which follows the Contrast rule. It explains how photography changed the role of painting.
  • Pair 3 (Paragraph 3 → Paragraph 4): Paragraph 4 connects to Paragraph 3 because it discusses the ongoing relationship between painting and photography. It provides a broader context for their rivalry, following the Broader to Specific Strategy.

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